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There are so many I could choose from. Three come to mind. Educated by Tara Westover is an inspiring book about the power of education and is beautifully written. The transformative impact of education is an integral part of my story and forms a central theme in A Dutiful Boy. When Breath Becomes Air by Paul Kalanithi was one of the first books that made me think seriously about writing a memoir. Kalanithi writes with an honesty and an insight that I can only hope to aspire to. Chimimanda Ngozi Adichie is one of my favourite writers and her book Americanah is a work of art. It deals with issues relating to identity with subtlety and sophisticated depth.
In my opinion, The Miseducation of Lauren Hill is one of the best albums ever made and I listen to it regularly. The interludes are recordings of conversations between a teacher and his students. The album was released when I was a young teenager and I associate it with my old secondary school and with Walthamstow, the place I was born and raised. I am now a governor at my old school and listening to those songs today brings with it a sense of nostalgia. It prompts me to reflect on all the things that have happened since the first time I was moved by those lyrics so long ago.
East is East was a film about young British Pakistanis dealing with the clashes of being raised in a Muslim household but in a western society and it made me feel like my experiences weren’t abnormal. This isn’t a film but in A Dutiful Boy I write about the experience of watching Queer as Folk. It first aired on Channel 4 in 1999, when I was 14 years old. I don’t think the impact of Russell T Davies’ writing can be overestimated. Watching two men kiss on TV was the first time I’d seen anything like it and it prompted me to come out, if only to myself.
I didn’t grow up with an appreciation of art and, in honesty, didn’t really understand what all the fuss what about. That changed when I saw my first Edward Hopper painting – Room in New York. It depicts a couple, with the man reading a paper and the woman seemingly bored at a piano. Looking at the painting, I remember being moved in a way that, until then, I thought only music had the power to do.
I try not to be one of those people that goes on about having studied at Oxford but it really did change my life. For me, it was a golden ticket out of the circumstances I’d been born into. Once I got there, I had the freedom to figure out who I really was and it gave me the confidence to break away from the person I thought I had to be. I also learnt a lot about Britain. For example, I’d never heard of Eton or Harrow and didn’t realise not everyone had a student loan.
Some readers might argue this doesn’t count as a ‘luxury item’ but I could not be without a pair of running shoes. In his memoir What I Talk About When I Talk About Running, Haruki Murakami writes about how much he needs running. Unlike Murakami, I am not an ultramarathon runner, not even a marathon runner, but when I’m away from home I do need to go for a run to clear my head and help myself think creatively. Mid-trial, I find it can be an excellent opportunity to practise the closing speech but, mostly, not out loud.
Mohsin Zaidi is a barrister (6KBW College Hill) and author of A Dutiful Boy: a memoir of secrets, lies and family love (Penguin Random House: 2020).
There are so many I could choose from. Three come to mind. Educated by Tara Westover is an inspiring book about the power of education and is beautifully written. The transformative impact of education is an integral part of my story and forms a central theme in A Dutiful Boy. When Breath Becomes Air by Paul Kalanithi was one of the first books that made me think seriously about writing a memoir. Kalanithi writes with an honesty and an insight that I can only hope to aspire to. Chimimanda Ngozi Adichie is one of my favourite writers and her book Americanah is a work of art. It deals with issues relating to identity with subtlety and sophisticated depth.
In my opinion, The Miseducation of Lauren Hill is one of the best albums ever made and I listen to it regularly. The interludes are recordings of conversations between a teacher and his students. The album was released when I was a young teenager and I associate it with my old secondary school and with Walthamstow, the place I was born and raised. I am now a governor at my old school and listening to those songs today brings with it a sense of nostalgia. It prompts me to reflect on all the things that have happened since the first time I was moved by those lyrics so long ago.
East is East was a film about young British Pakistanis dealing with the clashes of being raised in a Muslim household but in a western society and it made me feel like my experiences weren’t abnormal. This isn’t a film but in A Dutiful Boy I write about the experience of watching Queer as Folk. It first aired on Channel 4 in 1999, when I was 14 years old. I don’t think the impact of Russell T Davies’ writing can be overestimated. Watching two men kiss on TV was the first time I’d seen anything like it and it prompted me to come out, if only to myself.
I didn’t grow up with an appreciation of art and, in honesty, didn’t really understand what all the fuss what about. That changed when I saw my first Edward Hopper painting – Room in New York. It depicts a couple, with the man reading a paper and the woman seemingly bored at a piano. Looking at the painting, I remember being moved in a way that, until then, I thought only music had the power to do.
I try not to be one of those people that goes on about having studied at Oxford but it really did change my life. For me, it was a golden ticket out of the circumstances I’d been born into. Once I got there, I had the freedom to figure out who I really was and it gave me the confidence to break away from the person I thought I had to be. I also learnt a lot about Britain. For example, I’d never heard of Eton or Harrow and didn’t realise not everyone had a student loan.
Some readers might argue this doesn’t count as a ‘luxury item’ but I could not be without a pair of running shoes. In his memoir What I Talk About When I Talk About Running, Haruki Murakami writes about how much he needs running. Unlike Murakami, I am not an ultramarathon runner, not even a marathon runner, but when I’m away from home I do need to go for a run to clear my head and help myself think creatively. Mid-trial, I find it can be an excellent opportunity to practise the closing speech but, mostly, not out loud.
The Chair of the Bar reports back
Clement Cowley, Partner at The Penny Group, explains how global events can influence the performance of pensions and ISAs, and why taking a long-term approach to investing is often the most effective strategy
Mário Barroso, Head of R&D and Method Development at AlphaBiolabs, discusses what family law professionals need to know about hallucinogens, from the main hallucinogenic drugs encountered in family proceedings, to their effects and the testing options available
Harmony Christian Ministries is the latest charity to benefit from a £500 donation from AlphaBiolabs via the company’s Giving Back initiative
By David Green
Mário Barroso, Head of R&D and Method Development at AlphaBiolabs, examines the forensic science underpinning hair drug testing, its evidential scope and limitations, and why it remains the gold standard for evidencing patterns of drug use in family proceedings
Developing a tech start-up demands a different definition of excellence to the Bar, says Saara Idelbi. The co-creator of Advocatr on entrepreneurship, AI advocacy training, and matching the thrill of a killer cross-examination
At the start of her term, Chair of the Bar 2026 Kirsty Brimelow KC set out a series of priorities for the year ahead. One of those priorities was children in the justice system
As the world becomes more digital, Barbara Vinagre Mota examines international research into the mental health consequences of judges’ exposure to graphic and immersive evidence, highlighting the importance of support systems
Reviewed by Daniel Barnett
James McNeill Whistler at Tate Britain until 27 September Rothko in Florence at Palazzo Strozzi until 23 August Reviewed by Stephen Cragg KC
