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There are so many I could choose from. Three come to mind. Educated by Tara Westover is an inspiring book about the power of education and is beautifully written. The transformative impact of education is an integral part of my story and forms a central theme in A Dutiful Boy. When Breath Becomes Air by Paul Kalanithi was one of the first books that made me think seriously about writing a memoir. Kalanithi writes with an honesty and an insight that I can only hope to aspire to. Chimimanda Ngozi Adichie is one of my favourite writers and her book Americanah is a work of art. It deals with issues relating to identity with subtlety and sophisticated depth.
In my opinion, The Miseducation of Lauren Hill is one of the best albums ever made and I listen to it regularly. The interludes are recordings of conversations between a teacher and his students. The album was released when I was a young teenager and I associate it with my old secondary school and with Walthamstow, the place I was born and raised. I am now a governor at my old school and listening to those songs today brings with it a sense of nostalgia. It prompts me to reflect on all the things that have happened since the first time I was moved by those lyrics so long ago.
East is East was a film about young British Pakistanis dealing with the clashes of being raised in a Muslim household but in a western society and it made me feel like my experiences weren’t abnormal. This isn’t a film but in A Dutiful Boy I write about the experience of watching Queer as Folk. It first aired on Channel 4 in 1999, when I was 14 years old. I don’t think the impact of Russell T Davies’ writing can be overestimated. Watching two men kiss on TV was the first time I’d seen anything like it and it prompted me to come out, if only to myself.
I didn’t grow up with an appreciation of art and, in honesty, didn’t really understand what all the fuss what about. That changed when I saw my first Edward Hopper painting – Room in New York. It depicts a couple, with the man reading a paper and the woman seemingly bored at a piano. Looking at the painting, I remember being moved in a way that, until then, I thought only music had the power to do.
I try not to be one of those people that goes on about having studied at Oxford but it really did change my life. For me, it was a golden ticket out of the circumstances I’d been born into. Once I got there, I had the freedom to figure out who I really was and it gave me the confidence to break away from the person I thought I had to be. I also learnt a lot about Britain. For example, I’d never heard of Eton or Harrow and didn’t realise not everyone had a student loan.
Some readers might argue this doesn’t count as a ‘luxury item’ but I could not be without a pair of running shoes. In his memoir What I Talk About When I Talk About Running, Haruki Murakami writes about how much he needs running. Unlike Murakami, I am not an ultramarathon runner, not even a marathon runner, but when I’m away from home I do need to go for a run to clear my head and help myself think creatively. Mid-trial, I find it can be an excellent opportunity to practise the closing speech but, mostly, not out loud.
Mohsin Zaidi is a barrister (6KBW College Hill) and author of A Dutiful Boy: a memoir of secrets, lies and family love (Penguin Random House: 2020).
There are so many I could choose from. Three come to mind. Educated by Tara Westover is an inspiring book about the power of education and is beautifully written. The transformative impact of education is an integral part of my story and forms a central theme in A Dutiful Boy. When Breath Becomes Air by Paul Kalanithi was one of the first books that made me think seriously about writing a memoir. Kalanithi writes with an honesty and an insight that I can only hope to aspire to. Chimimanda Ngozi Adichie is one of my favourite writers and her book Americanah is a work of art. It deals with issues relating to identity with subtlety and sophisticated depth.
In my opinion, The Miseducation of Lauren Hill is one of the best albums ever made and I listen to it regularly. The interludes are recordings of conversations between a teacher and his students. The album was released when I was a young teenager and I associate it with my old secondary school and with Walthamstow, the place I was born and raised. I am now a governor at my old school and listening to those songs today brings with it a sense of nostalgia. It prompts me to reflect on all the things that have happened since the first time I was moved by those lyrics so long ago.
East is East was a film about young British Pakistanis dealing with the clashes of being raised in a Muslim household but in a western society and it made me feel like my experiences weren’t abnormal. This isn’t a film but in A Dutiful Boy I write about the experience of watching Queer as Folk. It first aired on Channel 4 in 1999, when I was 14 years old. I don’t think the impact of Russell T Davies’ writing can be overestimated. Watching two men kiss on TV was the first time I’d seen anything like it and it prompted me to come out, if only to myself.
I didn’t grow up with an appreciation of art and, in honesty, didn’t really understand what all the fuss what about. That changed when I saw my first Edward Hopper painting – Room in New York. It depicts a couple, with the man reading a paper and the woman seemingly bored at a piano. Looking at the painting, I remember being moved in a way that, until then, I thought only music had the power to do.
I try not to be one of those people that goes on about having studied at Oxford but it really did change my life. For me, it was a golden ticket out of the circumstances I’d been born into. Once I got there, I had the freedom to figure out who I really was and it gave me the confidence to break away from the person I thought I had to be. I also learnt a lot about Britain. For example, I’d never heard of Eton or Harrow and didn’t realise not everyone had a student loan.
Some readers might argue this doesn’t count as a ‘luxury item’ but I could not be without a pair of running shoes. In his memoir What I Talk About When I Talk About Running, Haruki Murakami writes about how much he needs running. Unlike Murakami, I am not an ultramarathon runner, not even a marathon runner, but when I’m away from home I do need to go for a run to clear my head and help myself think creatively. Mid-trial, I find it can be an excellent opportunity to practise the closing speech but, mostly, not out loud.
On both fronts – representing the Bar’s interests and protecting the rule of law
Kate West discusses how best to interpret a drug test report, and the common misconceptions about what can be learnt from a drug test
Ashley Hodgkinson looks at drug testing methods and some of the most common ways people try to cheat a drug test
Clerksroom Chambers has recruited Matthew Wildish from 3 Paper Buildings (3PB) to a newly created position of Director of Clerking. Matthew joined the team at Clerksroom on 1 June
... have you seen through yours? asks Julian Morgan
Opportunity for female sopranos/contraltos in secondary education, or who have recently finished secondary education but have not yet begun tertiary education. Eligibility includes children of members of the Bar
Clerksroom Chambers has recruited Matthew Wildish from 3 Paper Buildings (3PB) to a newly created position of Director of Clerking. Matthew joined the team at Clerksroom on 1 June
In this tale of hope, success really has been the best revenge! A difficult journey teaches Rehana Azib QC invaluable lessons along the way
The Chief Inspector of the CPS knows first-hand the difficulties prosecutors face but is no pushover. He talks to Anthony Inglese CB about Operation Soteria, putting victims and cooperation at the heart of criminal justice reform, and his unique and life-changing career prosecuting the crime of all crimes, genocide
Having represented many Davids against many Goliaths over a 30+year career at the publicly funded Bar, renowned silk Professor Leslie Thomas QC critically assesses what the Human Rights Act currently under challenge has done for coronial law and equality of arms
The future of robotics in surgery is likely to hinge on what it enables does the legal system yet have the tools to protect patients?Conor Dufficy and Finn Stevenson investigate
