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Maya Angelou’s life and work have been an inspiration to many and I am no exception. As a pupil barrister I voraciously read practically everything she wrote; in between prepping Magistrates’ Court trials. I pinned a copy of Maya’s poem, Phenomenal Woman to Chambers’ notice board above the photocopier as a calling card of sorts. I also never tire of reading anything written by James Baldwin. His writing is so wonderfully descriptive and searingly honest. His book Giovanni’s Room is one of the most poignantly beautiful love stories I have ever read.
One of my all-time favourite albums is Kind of Blue by Miles Davis. At the time I was introduced to this album, I was deep into my hip hop phase. Blue in Green, featuring Cannonball Adderley on alto sax, John Coltrane on tenor sax and Bill Evans on piano, never fails to bring a lump to my throat. At the other end of the musical spectrum, perhaps, is my current immersion into the world of drill and grime music. I have written for Index on Censorship about the right of artistic expression and the current criminalisation of drill music and drill artists. I currently have on repeat Dirt in the Diamond by Jords. It is an astonishing piece of work in its lyricism and musicality. I am also in the short film that accompanies the album, so I am a little biased!
I have recently been exposed to the portraiture work of Lina Iris Viktor, a British-Liberian artist based in New York. I’m particularly struck by her bold use of colour and multidisciplinary approach.
As for film, when I first saw Spike Lee’s Do the Right Thing, my mind was blown. Here was an artist refusing to play by the rules and telling stories of importance to African Americans in the way he saw fit. I recently watched the film again and was reminded just how prescient it was. The killing of a Black man at the hands of the police – it was all in there – decades before the killing of George Floyd. As an aside, after watching Spike Lee’s Malcolm X in the last year of my law degree, I promptly found a barber shop and cut off all my hair. So I’d say it was a life-changing film for me!
There are so many special places and experiences that stand out in my memory but, if forced to choose just one place, it would have to be St Kitts where I moved to from Leeds, aged 12. I honestly do not think I would have become a barrister but for this experience. Overnight I went from being a minority to being a member of the majority. Living in a country where most people looked like me; the doctors, the lawyers, the political leaders, was transformative. That’s not to say that I didn’t experience discrimination while living there. I was poor and dark-skinned and so expected to languish at the bottom of the social ladder. However, the emphasis placed on academic excellence as a vehicle to lift people out of poverty ultimately stood me in good stead.
The one item of luxury I would need, if stranded anywhere, would be some sort of device that would allow me to listen to music. I simply can’t be without music; or, Jamaican jerk seasoning.
Maya Angelou © Shutterstock
St Kitts © Getty images/iStockphoto
Maya Angelou’s life and work have been an inspiration to many and I am no exception. As a pupil barrister I voraciously read practically everything she wrote; in between prepping Magistrates’ Court trials. I pinned a copy of Maya’s poem, Phenomenal Woman to Chambers’ notice board above the photocopier as a calling card of sorts. I also never tire of reading anything written by James Baldwin. His writing is so wonderfully descriptive and searingly honest. His book Giovanni’s Room is one of the most poignantly beautiful love stories I have ever read.
One of my all-time favourite albums is Kind of Blue by Miles Davis. At the time I was introduced to this album, I was deep into my hip hop phase. Blue in Green, featuring Cannonball Adderley on alto sax, John Coltrane on tenor sax and Bill Evans on piano, never fails to bring a lump to my throat. At the other end of the musical spectrum, perhaps, is my current immersion into the world of drill and grime music. I have written for Index on Censorship about the right of artistic expression and the current criminalisation of drill music and drill artists. I currently have on repeat Dirt in the Diamond by Jords. It is an astonishing piece of work in its lyricism and musicality. I am also in the short film that accompanies the album, so I am a little biased!
I have recently been exposed to the portraiture work of Lina Iris Viktor, a British-Liberian artist based in New York. I’m particularly struck by her bold use of colour and multidisciplinary approach.
As for film, when I first saw Spike Lee’s Do the Right Thing, my mind was blown. Here was an artist refusing to play by the rules and telling stories of importance to African Americans in the way he saw fit. I recently watched the film again and was reminded just how prescient it was. The killing of a Black man at the hands of the police – it was all in there – decades before the killing of George Floyd. As an aside, after watching Spike Lee’s Malcolm X in the last year of my law degree, I promptly found a barber shop and cut off all my hair. So I’d say it was a life-changing film for me!
There are so many special places and experiences that stand out in my memory but, if forced to choose just one place, it would have to be St Kitts where I moved to from Leeds, aged 12. I honestly do not think I would have become a barrister but for this experience. Overnight I went from being a minority to being a member of the majority. Living in a country where most people looked like me; the doctors, the lawyers, the political leaders, was transformative. That’s not to say that I didn’t experience discrimination while living there. I was poor and dark-skinned and so expected to languish at the bottom of the social ladder. However, the emphasis placed on academic excellence as a vehicle to lift people out of poverty ultimately stood me in good stead.
The one item of luxury I would need, if stranded anywhere, would be some sort of device that would allow me to listen to music. I simply can’t be without music; or, Jamaican jerk seasoning.
Maya Angelou © Shutterstock
St Kitts © Getty images/iStockphoto
Far-ranging month for the Chair of the Bar
Marie Law, Director of Toxicology at AlphaBiolabs, examines the most recent data on alcohol misuse in the UK, and the implications for alcohol testing in family proceedings
Clement Cowley, Partner at The Penny Group, explains how tailored financial planning can help barristers take control of their finances and plan with confidence
Marie Law, Director of Toxicology at AlphaBiolabs
A £500 donation from AlphaBiolabs has been made to the leading UK charity tackling international parental child abduction and the movement of children across international borders
Marie Law, Director of Toxicology at AlphaBiolabs, outlines the drug and alcohol testing options available for family law professionals, and how a new, free guide can help identify the most appropriate testing method for each specific case
In this wide-ranging interview, Professor Jo Delahunty KC, Family Law KC of the Year, talks to Anthony Inglese CB about the values that shaped her, the moment she found her vocation and, in an intensely personal call to arms, why time is running out for the legal aid Bar
Is the Judicial Conduct Investigations Office process fit for purpose? Women barristers’ experiences of bullying are not being reported or, if they are, they are not making it through the system, says Tana Adkin KC
Thomas Roe KC and Andrew O’Kola respond to an article by Dr Leonardo Raznovich (Counsel , October 2025) – ‘Privy Council colonialism? Piercing the constitutional veil’
Chair of the Bar reports back
The client’s best interests could be well-served by sharing the advocacy with junior counsel more often than you might think – Naomi Cunningham and Charlotte Eves explore some less orthodox ways to divide the speaking role
